Waves 2020

Rammstein - Wacken Digital

Wien Woche 2020

VKKO

Kino der Kunst 2020

MAIN AWARD KINO DER KUNST    
LENGTH FILM CATEGORY INTERNATIONAL COMPETITION    
10.000 EURO    
donated by the Kunststiftung Ingvild und Stephan Goetz 
 
MAIN AWARD KINO DER KUNST     
SHORT FILM CATEGORY INTERNATIONAL COMPETITION    
10.000 EURO    
donated by the Biehler von Dorrer Stiftung 
 
AWARD FOR A CROSS-DISCIPLINARY ŒUVRE    
10.000 EURO    
donated by Louis Vuitton 
 
KINO DER KUNST PROJECT AWARD    
5.000 EURO

ONLINE: AWARDS 2020

The Art of the Moving Image seems to be the exception to the rule that Covid-19 nearly killed culture. Museums, theaters, gThe Art of the Moving Image seems to be the exception to the rule that Covid-19 nearly killed culture. Museums, theaters, galleries and cinemas quickly went online, and, in particular, the art world discovered some new media. Exhibitons, studio visits and discussions in zoom conferences were shown on websites and short films by artists were screened on online platforms all over the world. In what way will online change the Art of the Moving Image?

10.00 – 11.30 a.m.    
VISIBILITY—IS STREAMING A SOLUTION FOR AMI?    
Podium: Ulanda Blair (Hong Kong), Emilija Škarnulytė (Vilnius), Filipa Ramos (London)    
Moderation: Heinz Peter Schwerfel (Artistic Director KINO DER KUNST)

ONLINE: SYMPOSIUM I

The Art of the Moving Image seems to be the exception to the rule that Covid-19 nearly killed culture. Museums, theaters, galleries and cinemas quickly went online, and, in particular, the art world discovered some new media. Exhibitons, studio visits and discussions in zoom conferences were shown on websites and short films by artists were screened on online platforms all over the world. In what way will online change the Art of the Moving Image?

11.30 a.m. – 1.00 p.m.    
THE FUTURE ART MARKET FOR AMI—A NEW ENERGY?    
Podium: Ingrid Lohaus (Munich), Ron Mandos (Amsterdam), Daniel Hug (Cologne), Emilio Álvarez (Barcelona)    
Moderation: Olaf Stüber (Co-founder Videoart at Midnight, Berlin)

ONLINE: SYMPOSIUM II

The Art of the Moving Image seems to be the exception to the rule that Covid-19 nearly killed culture. Museums, theaters, galleries and cinemas quickly went online, and, in particular, the art world discovered some new media. Exhibitons, studio visits and discussions in zoom conferences were shown on websites and short films by artists were screened on online platforms all over the world. In what way will online change the Art of the Moving Image?

2.00 – 3.30 p.m.    
CO-PRODUCTIONS—WITH TV, STREAMING ENTERTAINMENT SERVICES, MUSEUMS, GALLERIES, FESTIVALS OR CINEMA SUBSIDIES?    
Podium: Julian Rosefeldt (Berlin/Munich), Beatrice Bulgari (Rome), Jacqui Davies (London)    
Moderation: Daniel Lang (Filmmaker, Spokesman for the University of Television and Film Munich)

ONLINE: SYMPOSIUM III

The Art of the Moving Image seems to be the exception to the rule that Covid-19 nearly killed culture. Museums, theaters, galleries and cinemas quickly went online, and, in particular, the art world discovered some new media. Exhibitons, studio visits and discussions in zoom conferences were shown on websites and short films by artists were screened on online platforms all over the world. In what way will online change the Art of the Moving Image?

3.30 – 5.00 p.m.    
WHAT WILL BE NEW FOR COLLECTORS AND MUSEUMS?    
Podium: Markus Hannebauer (Berlin), Caroline Bourgeois (Paris), Chris Dercon (Paris), Eva Kraus (Bonn), Mark Paul Meyer (Amsterdam)    
Moderation: Andrea Lissoni (Director Haus der Kunst, Munich)

ONLINE: SYMPOSIUM IV

Hetain Patel, born in 1980 in Bolton, lives in London. Recipient of the Jarman Award in 2019. He works in the areas of performance, film, sculpture and photography. Selected solo and group exhibitions: Manchester Art Gallery; Royal Opera House, London (2018); Wood- street Galleries, Pittsburgh; 56th Venice Biennale (2015); Serpentine Gallery, London; Tate Modern Tanks, London (2012). Selected films: The Jump (2015), Heaven and Earth (2014).

ONLINE: Hetain Patel in conversation with Heinz Peter Schwerfel

Saskia Olde Wilbers, born in 1971 in Breda, The Netherlands, lives in London. Solo shows at the Van Gogh House, London (2019), Viewmaster Foundation, Maastricht, Fondation Vincent van Gogh, Arles (2017) and Sammlung Goetz, Munich (2010), among others. Selected group exhibitions: The Onassis Foundation, Athens, The Bonnefanten Museum, Maastricht (2020), S.M.A.K., Ghent (2019) and Ota Fine Arts, Shanghai (2018). Other lms include: Yes, These Eyes Are the Windows (2015, KDK 2015).

ONLINE: Saskia Olde Wolbers in conversation with Heinz Peter Schwerfel

Isaac Julien, born in 1960 in London. The artist, film producer and university lecturer studied painting and film at Central Saint Martins College of Art and Design. He is the founder of the Sankofa Film and Video Collective and Normal Films. Until 2015, he served as professor at the Staatliche Hochschule für Gestaltung in Karlsruhe. His numerous films include Looking for Langston (1989), Young Soul Rebels (1991), Baltimore (2003), Derek (2008) and Better Life (2010).

ONLINE: Isaac Julien in conversation with Heinz Peter Schwerfel

Wang Tuo, born in 1984 in Changchun, lives in Peking. In his performances, installations and lms he combines interview, reality show and absurd theater. Recent solo shows: Ullens Center for Contemporary Art, Peking; Present Company, New York (2019); Gallery EXIT, Hong Kong; Beijing Contemporary, Peking (2018); White Space, Peking; Salt Project, Peking (2017). Selected group exhibitions: Today Art Museum, Peking; Long March Space, Peking; Staatliche Kunsthalle Baden-Baden; Owen Art Gallery at Gould Academy, Maine (2019); OCAT, Shanghai; Julia Stoschek Collection, Dusseldorf; Blindspot Gallery, Hong Kong; OCAT, Shenzhen (2018).

ONLINE: Wang Tuo in conversation with Heinz Peter Schwerfel

Matthew Barney, born in San Francisco in 1967, lives in New York. With his CREMASTER cycle (1994-2003), he set new standards in media art. His elaborately produced films are usually created after performances whose props are installed as sculptural objects. Recent solo shows: Hayward Gallery, London (2020), Yale University Art Gallery, New Haven and UCCA, Peking (2019). Selected films: River of Fundament (2014), De Lama Lâmina (2007) and Drawing Restraint 9 (2005).

ONLINE: Matthew Barney in conversation with Heinz Peter Schwerfel

Tuan Andrew Nguyen, born in 1976 in Saigon, Vietnam, lives and works in Ho Chi Minh. He studied art at the California Institute of the Arts and is the co-founder of the Propeller Group. Selected solo exhibitions: Joslyn Art Museum, Omaha, Nebraska; State of Concept, Athens; James Cohan, New York (all 2020); Grenfell Art Gallery, Newfoundland (2019); Asia Society, New York (2018). Other exhibitions include Manifesta 13, Marseille, Whitney Museum of American Art, New York and the Beirut Biennial.

ONLINE: Tuan Andrew Nguyen in conversation with Heinz Peter Schwerfel

Cao Fei, born in 1978 in Guangzhou. The recipient of multiple awards, she is one of the most innovative artists working in China. Her films and installations mix social commentary, popular aesthetics and references to Surrealism with documentary aspects. Participation in the 50th, 52th and 56th Venice Biennales (2003, 2007, 2015). Selected group exhibitions: Guggenheim Museum (2018); Palais de Tokyo (2017); MoMA, New York (2016); Fondation Louis Vuitton (2016). Selected solo shows: Serpentine Gallery (2020); Centre Pompidou, Paris (2019); K21, Düsseldorf; Tai Kwun Contemporary, Hong Kong (2018); MoMA PS1, New York (2017).

ONLINE: Cao Fei in conversation with Heinz Peter Schwerfel

Clare Langan, born in 1967 in Dublin, lives in Western Ireland. Selected solo exhibitions: Metropolitan Museum of Photography Tokyo, MoMA, New York, The Rubicon Gallery, Dublin and Galerie Anita Beckers, Frankfurt. Other exhibitions include: Katzen Arts Center, Washington, Magda Danysz, Paris, The National Gallery of Ireland (2019) and Dirimart, Istanbul (2018, Best of KDK). Selected films: The Human Flock (2017), The Winter of 13 Storms (2017), Flight from the City (2015) and The Floating World (2013, KDK 2013).

ONLINE: Clare Langan in conversation with Heinz Peter Schwerfel

Sue de Beer, born in 1973, lives in New York. Her video works, photographs and sculptures address the relationship between memory, history and psychoanalysis. Recent solo shows: Tarble Arts Center, Illinois (2019), Boesky East, New York (2018) and Vanity Projects, New York & Miami (2017). Selected group exhibitions: Daata Editions, New York, Sadie Coles, London (2019), Sammlung Goetz, Munich, Art Basel Miami Beach, Haus der Kunst, Munich, MoMA PS1, New York, Schirn Kunsthalle, Frankfurt and ZKM, Karlsruhe. Selected lms: The Legendary Leland City Club (2016), The Blue Lenses (2015, KDK 2017), Room 309 (2012), The Ghosts (2011, KDK 2013), Silver and Gold (2011) and Hans und Grete (2004).

ONLINE: Sue de Beer in conversation with Heinz Peter Schwerfel

Shezad Dawood, born in 1974, lives in London. His multi-media work deals with history and contemporary narratives in relation to his own multicultural background. Recent solo shows (selected) at Bluecoat, Liverpool, MOCA, Toronto and Frieze LIVE, London (2019). Selected group exhibitions: Gwangju Biennale (2018) and Mori Art Museum, Tokyo (2016). Selected lms: It Was a Time That Was a Time, I’m So in I See Ravel (2015).

ONLINE: Shezad Dawood in conversation with Heinz Peter Schwerfel

Hans Op de Beeck, in 1969 in Turnhout, Belgium, lives in Brussels. He is both a painter and sculptor as well as a theater and film director, composer and writer. Solo shows at the Kunsthalle Krems (2019), Scheepvaartmuseum, Amsterdam (2018), Kunstmuseum Wolfsburg (2017) and Sammlung Goetz, Munich (2014), among others. Selected group exhibitions: Reina Sofia, Madrid; Towada Art Center, Japan; ZKM, Karlsruhe; Whitechapel Art Gallery, London; MoMA PS1, New York; Centre Pompidou, Paris. Participation in the Venice Biennale, Shanghai Biennale and Aichi Triennale. Selected films: Staging Silence (2019) and Night Time (2014, KDK 2015).

ONLINE: Hans op de Beeck in conversation with Heinz Peter Schwerfel

Alexandre Singh, born in 1980 in Bordeaux, lives in New York and Paris. After numerous installations,
performances and a filmed play (The Humans, Brooklyn Academy of Music, New York, 2013 and KDK 2015), The Appointment is his first film. Selected solo exhibitions: Legion of Honor Museum, San Francisco; Metro Pictures, New York; Fine Arts Museum, San Francisco (2019); Galerie Art: Concept, Paris (2018); Sprüth Magers, Berlin (2016).

ONLINE: Alexandre Singh in conversation with Heinz Peter Schwerfel

The KINO DER KUNST Project Award, endowed in the amount of €5,000, helps young European artists and filmmakers to produce a new single- or multi-channel work that goes beyond the boundaries of the traditional narrative film and tests new modes of storytelling. We asked major art academies and film schools throughout Europe to each nominate two alumni under the age of 35, who are considered to be outstanding talents by their former professors.

Eight candidates have been invited to Munich to pitch their project to an international jury, headed by Bjørn Melhus, artist and professor at the Kunsthochschule Kassel. Further members of the jury are Markus Hannebauer, software entrepreneur, Director of the Fluentum Collection and member of the KINO DER KUNST Advisory Board; Emilija Škarnulyte, artist and winner of the last Project Award; Julian Rosefeldt, artist, professor at the Academy of Fine Arts Munich and member of the KINO DER KUNST Advisory Board; and Daniel Lang, filmmaker and representative of the University of Television and Film Munich (HFF).

Past